Post by account_disabled on Dec 5, 2023 4:50:29 GMT
If we want to maximize the suspense and then keep the reader on tenterhooks for a while, we can insert a story within the story, which temporarily pauses the flow of events. In this case it is a small expedient to prolong the tension. Ease the tension There are moments in which there is a risk of falling into melodrama, in which it may be useful to give the reader some respite with a lighter and perhaps entertaining story. Subplots can afford to be comical and over the top. Underline a message If with the novel we mean it conveys our opinion, a thesis, any thought, the subplots can be used according to this, to say something in a way that is not too explicit or pedantic.
How to use subplots Whatever purpose we aim for by using a subplot, it must have a certain relationship with the main plot, otherwise it will only be a useless deviation. The ideal is for a subplot to carry the story forward, in order to give coherence to the whole. Before inserting any minor situation, it will be useful to ask yourself if this really Phone Number Data contributes to improving the main story or if it is just a filler, a sort of system to lengthen the story if the story seems too short or poor. No suplot, no matter how well thought out, will be able to give depth to a weak plot in itself. Equally important is not to generate confusion by peppering the novel with too many secondary facts, in which the reader could get lost and above all lose the thread.
The risk of having the main flow disperse into too many secondary streams is always lurking, as is that of overshadowing the main plot by inserting subplots that are too strong and interesting. When we build a subplot we can broadly rely on the principles that regulate the actual plots, that is, structure them as a sequence of events connected by cause and effect, and make them develop with a beginning, a central part, a climax and a resolution. And there must be no lack of conflicts, contrasts and obstacles, in short, a bit of spice: here the danger of the reader getting bored is very strong, as they are not very involved. Furthermore, if we introduce a situation, it will be best to resolve it before reaching the ending so as not to leave the reader in doubt.
How to use subplots Whatever purpose we aim for by using a subplot, it must have a certain relationship with the main plot, otherwise it will only be a useless deviation. The ideal is for a subplot to carry the story forward, in order to give coherence to the whole. Before inserting any minor situation, it will be useful to ask yourself if this really Phone Number Data contributes to improving the main story or if it is just a filler, a sort of system to lengthen the story if the story seems too short or poor. No suplot, no matter how well thought out, will be able to give depth to a weak plot in itself. Equally important is not to generate confusion by peppering the novel with too many secondary facts, in which the reader could get lost and above all lose the thread.
The risk of having the main flow disperse into too many secondary streams is always lurking, as is that of overshadowing the main plot by inserting subplots that are too strong and interesting. When we build a subplot we can broadly rely on the principles that regulate the actual plots, that is, structure them as a sequence of events connected by cause and effect, and make them develop with a beginning, a central part, a climax and a resolution. And there must be no lack of conflicts, contrasts and obstacles, in short, a bit of spice: here the danger of the reader getting bored is very strong, as they are not very involved. Furthermore, if we introduce a situation, it will be best to resolve it before reaching the ending so as not to leave the reader in doubt.